BooksOfTheMoon

False Value (Rivers of London #8)

By Ben Aaronovitch

Rating: 4 stars

Following the dramatic events at the end of the last book, Peter is nominally still suspended, but with fatherhood impending, he needs a job, so he joins security for the Serious Cybernetics Corporation, a new startup by one of the less-flashy silicon valley tech bros. Peter settles down fairly quickly, but soon realises that there’s something strange, and possibly magical, going on up on the top floor of the building.

It’s odd seeing Peter outwith the support network of the Met, but he’s still got his informal network to rely on, and he’s now moved in with Beverley. The police are still very much involved, and Nightingale, Guleed et al make their appearances.

Spoiler
And, of course, it only lasts long enough to tell us that Peter’s currently working under cover.

As others have noted, there’s an awful lot of Hitchhikers’ references in this book, but while others found it irritating, it seems to me that it’s appropriately over the top for a silicon valley tech startup that’s wanting to appear to be “hip” and “cool” (for nerdy values of “hip” and “cool”).

This book finds Peter more aware of Beverley’s status as a goddess, and getting a bit worried by things that happen around her, and the actions that she feels she needs to take. Maksim, for example, until now, has mostly been played for humour, but Peter’s now worrying about free will and whether it’s ethical for Bev to put her influence over him, and others she comes into contact with. It’s not easy dating a deity, and it’ll be interesting to see where this goes in future volumes.

No Lesley May in this one, but the magical world has been expanded again, this time with more details of American magic, and especially the Librarians (no, not those Librarians). There’s also been some seeds planted for the future, and possibly a new nemesis coming up.

All in all, a worthy entry to the canon. But you can’t just drop in the suggestion that the London Underground possible has its own genius loci and then walk away like that. I’m outraged. Outraged, I tell you!

Book details

ISBN: 9781473229761

Grandville Force Majeure (Grandville, #5)

By Bryan Talbot

Rating: 4 stars

The fifth, and final, instalment in DI LeBrock’s adventures is a bit of a corker. Framed for murder and on the run from his colleagues, he’s got to solve the murder, deal with the gangster Tiberius Koenig, who wants to bring London into his criminal empire, and save his family, all while being pursued by his own mentor, the Holmesian retired DCI Stamford Hawksmoor.

The story trots along at a good pace, and although the last quarter or so is wrapped in plastic, as an anti-spoiler mechanism, I figured out most of the big twists in advance (and on that, in my considered opinion, the idea of Roderick Ratzi selling out LeBrock is the most unbelievable thing in the whole series. And this is a series with steampunk Zeppelins, crazy red dinosaurs, and sexy anthropomorphic prostitute badgers) but it was still fun taking the journey. There are some great one-liners and mad mob-boss Koenig steals every scene he’s in.

The art is, once again, amazing. Talbot goes into the process a little in his piece at the end of the book, and part of the explanation as to why this is will be the last Grandville book is that each page would take 3-4 days to complete, which just isn’t long term commercially viable. The usual warning regarding the art applies though. Although it’s quite cartoony looking, and there are talking animals, this is a violent book, with adult themes that is very definitely not suitable for children.

At some point now, I think I need to go back and re-read the whole series in quick succession, to get a clearer feel for the characters and the overall plot, but this was a highly enjoyable conclusion to a highly enjoyable series.

Book details

ISBN: 9781910702246
Publisher: Jonathan Cape
Year of publication: 2017

Rule 34 (Halting State, #2)

By Charles Stross

Rating: 3 stars

DI Liz Kavanaugh is head of the Rule 34 squad, a sort of punishment for something that went wrong several years ago. It’s up to her and hers to police internet porn in an independent Scotland. Anwar Hussein was a small-time Internet fraudster who’s spent time behind bars and is trying to go straight, for the sake of his family. The Toymaker is wondering who’s killing all the folk he’s trying to recruit to his large scale organised crime Operation.

Like its predecessor, Halting State this book is told entirely in the second person, a technique that I’ve never been very fond of, but there are solid reasons for that in this book, as Stross sets out in the crib sheet for the book on his blog (note: obviously spoilers at that link!). And I got used to it as well; I think it feels most icky when we’re in the head of the gangster, the Toymaker, who’s creepy as all hell.

For me, this book is at its strongest when it’s doing the police procedural thing, with lots of cool future-tech extrapolated from the early 21st century. At times, though, the pace of new ideas being thrown at you gets a little overwhelming (it feels a bit like Cory Doctorow at times) when the ideas outpace the story. Mostly, though, Stross keeps a handle on that and the book is certainly thought-provoking, not least in its ideas on different kinds of AI.

Book details

ISBN: 9781841497730
Publisher: Orbit
Year of publication: 2011

The Tea Master and the Detective

By Aliette de Bodard

Rating: 4 stars

I’d heard a lot of good things about this gender-swapped Holmes and Watson in space. However, in amongst that, nobody thought to mention that “Watson” is actually a mindship; a biological person, but wrapped into a starship shell close to birth and genetically engineered to live longer and fit into that system. It sort of reminded me of Anne McCaffrey’s Brain/Brawn books. Like Watson, The Shadow’s Child is traumatised, although moreso than Watson ever was, and Long Chau, the consulting detective that she partners with, is more abrasive (and drug addicted) than Holmes (even the Benedict Cumberbatch version) ever was.

I enjoyed the story a lot. I’ve read other short fiction set in the same universe, but this grabbed me more than any of them. While I found Long Chau extremely irritating, as a character she’s marvellous, and I really want to read more about her and about The Shadow’s Child. The universe is very interesting as well, and although I didn’t really understand the “deep space” that left The Shadow’s Child so traumatised, I want to find out more.

The fact that it’s a novella means that the story is pared back, and I would love to see a longer piece, to let the protagonists just be for a bit, and give a bit of space to the background as well. (Also, being a novella, the paper versions are priced around the same as a full-length novel, although the ebook version is cheaper).

So can we get a full-length novel? Pretty please? With sugar on top?

Book details

Publisher: JABberwocky Literary Agency
Year of publication: 2018

Lies Sleeping (Peter Grant, #7)

By Ben Aaronovitch

Rating: 4 stars

Martin Chorley, aka the Faceless Man, has been unmasked and is on the run, with the full force of the Metropolitan Police bearing down on him. But he still dreams big and Peter Grant and the team have to bring him down before his plans, somehow involving the malevolent spirit Mr Punch, come to fruition.

Blimey, I missed Peter Grant! I know I always go on in my reviews of the comics about how much I miss Peter’s narrative voice, but I’d forgotten just how much I’d missed it until I got a full length novel again. And what a novel. The momentum behind the Faceless Man plot has been building for some time, and this is the payoff. Aaronovitch balances action and character very well as we get reacquainted with old friends (Nightingale, Guleed, Molly all present and correct) as well as new ones. Abigail is getting more screen time as she’s becoming the Folly’s resident archivist and librarian. Peter and Nightingale are keeping her out of the front line for now, but it’s only a matter of time before she gets in over her head (and I can’t wait to see how she gets herself out of it!).

There’s a good depth of research that’s gone into this, mixing up Saxon, Roman and ancient British history and myth and pulling them together into a cohesive story that’s a lot of fun to read. The various relationships all rub along nicely. Nightingale and Peter; Peter and Beverly; and, of course, Peter and Lesley. Their frenemy relationship has felt like the core of the books for some time now and this volume just adds more depth and complexity. I’m looking forward to seeing where they go from here.

My edition also came with the short story Favourite Uncle at the end. This is a fun little story, narrated by Abigail, set at Christmas about some of those activities on the side that she doesn’t tell Peter and Nightingale about.

Book details

ISBN: 9781473207813
Publisher: Gollancz
Year of publication: 2018

Peril at End House (Hercule Poirot #8)

By Agatha Christie

Rating: 3 stars

A retired Hercule Poirot is on holiday with his faithful friend Captain Hastings when he makes the acquaintance of a young lady whose accidents around the town seem to be more than just accidents.

It seems to me that Christie was having some fun at the expense of M. Poirot in this novel. She pokes sly fun at his vanity and arrogance, but with a fondness that I found quite endearing. Despite his high opinion of himself, he’s often confused and stumped, and more than once is set on the right track by his faithful Hastings.

It was an interesting choice at the end to have Poirot guess that Nick intends to kill herself but to make no move to stop it. He plays fast and loose like this in other books too and it’s a reminder that he’s definitely not the police but a private individual with his own moral code. I sort of hope that the young Mr Vyse who leaves in a hurry at the end is off to go and stop her.

I always gamely try to figure out whodunnit and I rarely get it. This time was no exception. Right up to the end, I had no clue, although once it’s revealed, the clues were all there. There’s a lot of clever misdirection going on that totally threw me.

Book details

ISBN: 9780006138938
Publisher: Fontana
Year of publication: 1932

The Furthest Station (Peter Grant, #5.5)

By Ben Aaronovitch

Rating: 3 stars

While I’ve been wanting more written Peter Grant for a while now, and while this novella was fun, it didn’t entirely fill the gap. It’s a story about ghosts on the Underground, ghosts whose message may be a matter of life and death. But it just felt a little slight to me. This could have been expanded to be a whole novel, there’s plenty of ideas here, and the compressed format didn’t really give Peter a chance to shine.

I’m moaning here, but it was still fun. Peter’s voice is still there and is still a lot of fun. Perhaps a bit lighter on the pop culture references than of late, and lacking the acerbic wit of DC Guleed to bounce off, but still there and still Peter. I’ll be interested to see what happens with Abigail, who’s already an intern at the Folly here, and it looks like she may become more later.

Book details

Publisher: Orion
Year of publication: 2017

The Mystery of the Yellow Room

By Gaston Leroux

Rating: 4 stars

I’m a fan of the whodunit and a sucker for a good locked room mystery, so this early and clever example sucked me in from the start. I must confess to being unfamiliar with Joseph Rouletabille before reading this, but Leroux uses the template that Conan Doyle laid down and adds his own flourishes. Rather than an established detective, we have a junior reporter for a newspaper, and instead of bumbling police, we have a clever and sharp detective against whom Rouletabille wishes to prove his own wits. But other tropes – the sidekick to whom the detective can explain his cleverness, the Clues (Sam Vimes would have no truck with those), and even the pipe are all present and correct.

The mystery is an intriguing one – a young lady is assaulted in a locked room with no exits other than one door which her rescuers have to break down to get in. And when they do, they find the room empty of assailants. I must confess that since the young lady was a scientist (unusual in a work of this period) working with her father on the ‘disassociation of matter’, I did wonder a few times if a science fictional resolution would be forthcoming, as I couldn’t see any other solution, But the answer was stubbornly natural and, IMO, very clever.

I like the young Rouletabille and found his first adventure a clever and fun read. I also liked the sprinklings throughout the text of mention of a mysterious “lady in black” whose perfume evokes reminisces in Rouletabille and are obvious hooks for the sequel (even before I discovered that the sequel is, indeed, called The Perfume of the Lady in Black). I shall look forward to reading more of the Boy Reporter’s intrepid adventures.

Book details

ISBN: 9781840226478
Publisher: Wordsworth Editors
Year of publication: 1907

Rivers of London, Volume 4: Detective Stories

By Ben Aaronovitch

Rating: 4 stars

This volume of the ‘Rivers of London’ graphic novel series takes a slightly different format to the previous ones. Rather than being a single story, it’s a set of short stories, with the overarching narrative of Peter taking his detective exam and these being episodes from his history being told to his examiner (something which works well for comics – as each story is an issue long). This format does let us move around in time, and some of the stories are being told when Lesley May was still Peter’s partner, not his enemy.

The focus of these stories is very much on Peter, with the supporting cast taking a background role (poor Molly is relegated to a single walk-on part – even Toby gets more screen time than she does!). This is understandable given the framing narrative but I did miss Nightingale, Guleed and the rest. One thing I did very much like about this one is more time inside Peter’s head. It can’t be as much as the books, but again the format of this story comes to our aid, as these are being told in retrospective, so Peter knows the outcome and is relating the story.

The art is still lovely and Sullivan and Guerrero have become more assured as the series has progressed. The only major complaint is just the usual one – can we have more written word Peter Grant, please? I like the graphic novels and all, but I’d like to see the main plot being progressed some too.

Book details

ISBN: 9781785861710
Publisher: Titan Comics
Year of publication: 2017

Rivers of London: Black Mould

By Ben Aaronovitch

Rating: 4 stars

Another fun outing for PC Peter Grant in sequential art storytelling format. This time, DC Guleed (hurrah, she’s back, I did miss her in ‘Night Witch’!) accidentally runs into some “weird bollards” while checking out a house as a favour to a friend so calls in everyone’s favourite nerd/copper/apprentice.

This volume felt quite light and fluffy compared to the child kidnap of the previous volume but a lot of fun. I particularly liked the return of Tom Debden from the first graphic novel and Nightingale having to deal with a little bit of fallout from that, which was sort of hilarious. No sign of Lesley or the Faceless Man this time round, which I’m perfectly comfortable with. Keep Lesley in particular for small doses, she’s much more effective that way. Mind you, I’d have preferred more Molly, but ain’t that always the case. And when she does show up it’s in a hilarious and very cute ‘kitty’ night shirt. Good show, Aaronovitch et al, good show!

The art is still consistently good; cartoony but carries the tone of the story very well. There’s a great sequence that’s a few pages long and entirely silent, being carried by the art. Creepy and very effective.

As much as I enjoy the graphic novels, I do sort of wish Aaronovitch would space them out a bit more and spend more time on the novels. I miss being inside Peter’s head more, with his first-person narrative. Of course, I’ll keep buying them, but it would be nice to get more long-form written-word storytelling.

Book details

ISBN: 9781785855108
Publisher: Titan Comics
Year of publication: 2017

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